Tasseomancy - Soft Feet

Do you love playing musical family trees? Joining the dots as bands split, former members reform and new personnel from other groups join, only for these bands to break-up later and do it all over again? “So where did you guys first meet and get together?” can often lead to rather convoluted answers for many groups. The answer to this question, if you were to ask it of Tasseomancy, gives an even stranger response – in the womb. Yet even although these two twin sisters have spent their lifetime together their history as a group is not straightforward.

Cut back to March 2010 and you’ll find a piece on Breaking More Waves concerning a Canadian band called Ghost Bees. They also consisted of two twins and had in 2008 released a mini album called Tasseomancy. This of course is no coincidence for Tasseomancy are the same Romi and Sari Lightman, re-branded or re-banded using their old albums name, marking the progression of their music influences which includes ancestry, death ritual and mythology. It’s certainly more intriguing than The Kooks who recently have announced that they wanted their new album ‘to sound more modern’ and decided that the way to do this was ‘to use synthesisers’. Yes that’s synthesisers – those instruments that have been around since the 1970’s.

So whilst the masses are being inspired (or not as the case may be) by the Kooks, we’re happier celebrating Tasseomancy who have a new album entitled Ulalume (quite possibly named after the Edgar Allan Poe poem about the narrator's loss of a beautiful woman due to her death) due on August 29 through Turf Records. Soft Feet is the first single, it in no way sounds modern. Maybe in two years time you can expect to see their next project taking Ulalume for its name, and maybe the Kooks will have split up with no hint of reforming are renaming themselves, allowing us to throw their musical family tree in the bin.

In between Ghost Bees and Tasseomancy Romi and Sara have also formed an integral part of Austra, acting as backing singers and dancers during live shows, which helps expand the musical family tree a little more. It’s probably also worth mentioning their connections to Timbre Timbre here, who they have toured with in the past and who features on Ulalume.

Enough of the histories though, let’s listen to some music. Tasseomancy and Soft Feet sits comfortably alongside the darkly-tinged folk sounds of the Smoke Fairies, their sounds being all wrapped up in heavy mysticism from another distant age. It’s an acquired but awfully good taste. They play a one-off UK show at Dalston Roof Gardens, London on June 27.

Soft Feet by tasseomancy

Great Escape 2010 @ Brighton - Review ( Day 1 )

The three day music convention / shin-dig that is the Great Escape in Brighton is the biggest event of its kind in the UK. With a host of conferences, parties, gigs and fringe events, it has become an important date for both the music industry and fans of new music. This year the event saw beautiful sunny weather hit the coastal town, an expanded line up of daytime gigs, more quality fringe events and a significant number of highlights.

The Music Nova Scotia showcase in the Queens Hotel brings the first music of the day. Ghost Bees are twins - Romi and Sari Lightman - who play meandering harmony led songs covering unusual subject matter such as witches and shared wombs, with their medieval vocal interplay binding well. Their kooky ambling banter about desecrating a statue of Anubis is amusingly charming but the flashing lights either side of the stage seem rather incongruous to their sparse acoustic playing, which is quiet and at best rather basic. Flashing lights suit Rich Aucoin (pictured) much better as he brings colourful high energy electronic jams to a motionless audience that he is determined to get dancing. Syncing his music with childhood films Aucoin is a celebratory white-clad high-fiving high-energy entertainer, who encourages those watching to get down on one knee and then jump skywards in a manner reminiscent to the Spike Jonze directed video for Praise You by Fatboy Slim. With skew-whiff Daft Punk referencing grooves and numerous excursions into the crowd Aucoin achieves his mission of making it as sunny inside the building as it is outside and feet moving.

“It may be Thursday afternoon and this may be a clothes shop, but now is the time that everyone should clap their hands,” announces The Agitator from a mezzanine balcony overlooking vintage boutique Beyond Retro. With a raw king of the jungle authority, The Agitator’s shoulder twitching, hip thrusting, hollering Elvis styled delivery hoo-ha’s its way to the soul with just the stripped back elements of drums and vocals. “Enjoy your shopping,” he announces as he finishes. Several shoppers look slightly confused.

The signs either side of the stage stating “Hearing protection must be worn,” at The Basement are a worrying omen for the audience of Let’s Buy Happiness. Let’s Buy Happiness have already produced one of Breaking More Waves songs of the year in Better On Paper, so their early evening slot has a lot to live up to and hearing protection is not on the agenda. They don’t quite meet the expectation, although there is undoubtedly still significant potential. Shimmering guitars compliment lead singer Sarah’s vocal which bears a close resemblance to Harriet Wheeler of The Sundays, but the beauty of the bands sound is crushed a little by the loudness of the drums and Sarah’s nonchalant appearance, chewing gum whilst she sings.

Back at the Queens Hotel flame haired chanteuse Gabby Young sings jazzy, acoustic based songs that hint at French music hall and the vaudeville. Explaining that normally her band is an eight piece hence the name Gabby Young and Other Animals, today she just has one such animal. Her voice is undoubtedly superb - full and captivating, yet her measured songs sometimes seem nothing more than something to be admired from afar. Likewise Dan Smith a keyboard based singer songwriter who uses vocal looping and classical cascading waterfall pianos instrumentation on his best song Alchemy to good effect without ever stunning.

Having won the International Song Writing competition in 2009 for Love Lust there is already justification that the flamboyant King Charles is a stunning tunesmith. “I’m a sensitive soul” he mumbles with a glint in his eye before proceeding to whip the small partisan crowd into a frenzy with his blustering psychedelic Hendrix meets Kravitz riffs. With his big lapelled suit, shirt open to the midriff and beehive hairdo King Charles looks the debonair dandy and with songs infused with royal majesty such as Time For Eternity he can do no wrong. The adventurous folk-pomp of the aforementioned Love Lust promotes a wildly energetic stomp, his reworked version of We Didn't Start The Fire a romp, and chaotic scenes emerge as he climbs the drum riser and shoves his head through the ceiling of the venue. Performance of the day.

As Brighton seafront begins to take the strain of wired up indie kids the late night / early morning show at Digital features the much hyped Egyptian Hip Hop and Fenech-Soler. The spotty low fringed Egyptian Hip Hop have a mash of indie grooves, riffs and ideas but like a man with a map in the fog have not yet any clear definition of where they are going. Fenech-Soler are exactly the opposite. Like the thinking mans credible Calvin Harris Fenech Soler are the ultimate synthesis of rave pop in glittery shirts. Perfectly constructed, clearly defined and hedonistically danceable they provide the perfect arms aloft climax to the end of the first day of the Great Escape 2010. Even when the stage lighting fails and it’s left to the dance floor strobes above the audience to sustain the spirit, party-vibes are omnipresent till the very end when the band roll out Stop and Stare and leave victorious. Guaranteed to tear up the summer festivals this year, Fenech-Soler were vigorously fun.

The Great Escape 2010 - Preview

Following on from our recent coverage of the 2010 Camden Crawl our attention now turns to the UK’s south coast and the Great Escape, another multi-venue, multi-gig, urban festival held in Brighton. The Great Escape is currently Breaking More Waves favourite event of this nature in the UK, for a number of reasons:

• The event is three days long, rather than one or two like other similar festivals, enabling you to catch an even greater number of artists, many of whom perform twice at different venues and times.

• There is a significant emphasis on new music. Even many of the headline acts are still in their relative infancy.

• It is excellent value for money, particularly if you buy an early-bird ticket several months in advance, which this year was a snip at thirty-five pounds plus the obligatory booking fee for three days of musical frolics.

• Besides the main gigs there’s a full programme of parties, conferences and fringe events, although some of these do require you to purchase the significantly more expensive delegates pass. (eighty pounds early bird or one hundred and fifty pounds now excluding booking fees)

• The timetable is all published on line well in advance, giving punters the opportunity plenty of time to plan in advance, although remember that many venues are small and so capacity may be reached early, so make sure that if there is someone you particularly want to see you get there early, particularly if they are a more well known or 'buzz' act playing a smaller venue.

• The event operates a text message service which gives updates on which venues are full plus updates on secret gigs that take place. In past years we've seen Ida Maria sing on the outside balcony of the Theatre Royal, Peggy Sue playing in a toy and model museum and We Are Scientists perform a blistering set on a flat roof outside Audio Bar with traffic racing by behind them, all by using the text alert service.

• There are a variety of ticket options including day tickets and Friday / Saturday 2 day tickets. Our experience is that traditionally Thursday is a little quieter than the other two days in terms of numbers of punters.

• It’s in Brighton, which means that besides the event itself you can spend time lazing on the beach (weather permitting); many of the venues being located on the seafront. There are also two great record shops (Resident and Rounder) that are worth a visit, a number of quirky specialist shops in the North Laines, and of course the pier for funfair fun combined with the Horatios venue which this year will see the likes of Cold Cave, Warpaint and Darwin Deez performing there. And if it's warm enough, and you’re drunk enough, after everything has finished for the night you can go skinnydipping to cool off ! Just make sure you can actually swim first though.

So once you’ve grabbed your wristband, which bands to see? With such a fantastic line up of new music it’s simply not going to be possible to catch everything. Below we recommend ten acts for your viewing and listening pleasure. We hope to catch at least some of these ourselves.

Click on the artists name to go to their Myspace page.

Kid Adrift

“If you took a big raft of overblown pompous rock and set it off through a computer, mashed in some dubstep beats, a layer of distortion and gave the whole thing a post-apocalyptic shove of electronica you would probably be lurking off the same shores as Kid Adrift,” we wrote back last August. Since then this Glaswegian boy wonder and his band have signed to Island records, recorded a Radio 1 session with Vic Galloway and had their song Red Green and Blue named as “Record of the Year 2009” by Record of the Day. A new EP is to follow this summer and Kid Adrift is currently recording an album. A must see.

Let’s Buy Happiness

A five piece from the North East of England, Let’s Buy Happiness have already created one of our favourite songs of the last twelve months with Works Better On Paper and have been signed up to play the John Peel Stage at this years Glastonbury Festival after they got through to the final round of the Glastonbury Emerging Talent competition. Fronted by the ethereal sounding Sarah Hall the band create beautiful dreamy indie guitar soundscapes that remind us of The Sundays and The Cocteau Twins. In February we suggested that “Let’s Buy Happiness are about to make you fall in love.” Go to the Great Escape, experience Let’s Buy Happiness and that statement may come true.

Ghost Bees

Twins Romi and Sari Lightman are two Canadian Twins who are Ghost Bees. Like an alt.folk version of Joanna Newsom, their unsettling ghostly songs are formed out of glockenspiel, viola, acoustic guitars and antique mandolins. With girlish creepily beautiful voices their songs cover tales of past great empires and Greek mythology.

Egyptian Hip Hop

So loud is the buzz surrounding Egyptian Hip Hop that we are sure that a wasps nest is just around the corner. It all started when the Manchester four piece released their debut single Rad Pitt last year and it hasn’t really stopped since. There seems to be so much talk about Egyptian Hip Hop and yet very few people are pinning their colours to the mast to fully define the bands sound. Much of this is because it is too early to do so, with only a handful of demos and songs available and the four members of the band only being in their mid to late teens. So for the record we say that the bands style is loose, occasionally groovy indie. But the only real way to find out if Egyptian Hip Hop can live up to the hype is to go see them yourself and form your own opinion.

EGYPTIAN HIP HOP // Wild Human Child from theartof agency on Vimeo.

King Charles

With his knotted bee-hive, near death experiences and psychedelic folk riffs King Charles really is like nothing else. Expect pagan chanting, romping guitars and songs about Polar Bears and Crocodiles. King Charles has also stated that he’s going to get married by the end of the year, although he has yet to find the right girl, so if any ladies fancy becoming a queen, here’s your chance. His song Love Lust is soppy, philosophical and stupidly brilliant.

Esben and the Witch

Along with the many national and international bands on the bill of the Great Escape there are also a significant number of local acts playing, and Brighton’s own Esben and the Witch are without doubt one of the best. Fresh off a tour with The Big Pink the group will be bringing their spectral transcendentally disturbed tunes and dark yet beautiful tales to the Great Escape. A three piece formed out of Rachel Davies (vocals), Daniel Copeman (electronics, guitars) and Thomas Fisher (guitars, keyboards) the band are known to decorate their stage with porcelain owls, Victorian lamposts, skulls and minimal lighting. Reminiscent of the edgier experimental side of Portishead, or Bat For Lashes they share a kindred spirit with bands such as The XX in terms of the darkness of their sound.

Unicorn Kid

One of our Ones To Watch for 2010. The bleepy, 8 bit madness of Unicorn Kid has been a sound that Breaking More Waves has been celebrating since summer of 2009. For those who think his sound deserves arrest by the music police, well sorry but those very same music police are actually raving behind the bike sheds to the likes of Dream Catcher and Animal City; manic, frantic, bassy, games console dance tunes. He's also knocked out big remixes for Gorillaz and The Pet Shop Boys. Quite possibly the music of the future.

Stornoway

Another band we listed as one of our Ones To Watch for 2010, Stornoway are due to release their debut album Beachcomber's Windowsill at the end of this month. Our recent review called it “Quite simply an album of near perfect songs,” and in terms of live performance their humble intelligence charms and delights every time. Catch I Saw You Blink, Zorbing, The End Of The Movie and The Coldharbour Road as the bands status continues to grow.

Active Child

“It’s as if Bon Iver left his acoustic guitar in his log cabin and created a new wave electronic suite of chamber-like beauty that lays somewhere between the sonic architecture of Ultravox’s Vienna and OMD’s Jean of Arc (Maid of Orleans),” is how we described the music of Active Child last year. We wouldn’t go back on that statement at all. Beautifully cool electronic pop symphonies with new-wave synth-drums and pads, heavenly vocals and bags of class are coming to Brighton this May courtesy of one Pat Grossi who is Active Child.

Marina and the Diamonds

Marina and the Diamonds may be a rather obvious choice, but the reason is that this is probably your last chance to see Marina in a relatively small venue before she steps up the game later this year, returning to Brighton on November the 15th to play the Corn Exchange. By now you’ll probably be familiar with Hollywood, I Am Not A Robot and other tracks from her debut album. What you may not be familiar with if you haven’t seen her live yet is her theatrical stage presence combined with an underlying vulnerability that endears.

If you haven't got your ticket yet and want to come you can buy them by clicking here. We'll be bringing a day by day review of the event the week after it finishes, and if you sign up to our Twitter you'll also find us tweeting our way around the event.

Ghost Bees - New Waves @ Breaking More Waves

Ghost Bees can give an interesting answer to the question “Where did you meet?” For they first encountered each others presence in the womb. Yet thankfully these two Canadian twins are very different from X Factor duplicate-mentalists Jedward. For Romi and Sari Lightman have a sound and character more akin to the medieval plucking and plinking sounds of Joanna Newsom and the delicious oddness of CocoRosie, than any Simon Cowell approved 'artist'. They do however share a sense of Jedward wackiness with their Myspace suggesting that they sound like “slicing a grapefruit and really long hair that sways from side to side.”

Ghost Bees have already released a seven track mini album entitled Tasseomancy way back in 2008 (yes not every blog can be there from day one) and in 2009 toured with Timber Timbre in Canada. Tasseomancy has a sound that sits firmly within the alt.folk category, using instrumentation such as antique mandolin, glockenspiel, viola and guitar to create wonderful but eccentric songs. The band suggest that their style is inspired by Eastern European folk music and this can be heard in their tune Sinai which takes references from Greek mythology. It names Tiresias, the clairvoyant blind prophet who was transformed into a woman for seven years in amongst a tale of birth from “Mothers bruised bloodroot thighs.” Another song, Vampires of the West Coast, reveals a disturbing gothic lyrical quality where the twins sing of a “Beautiful body of mortar and bile, with lovely grey eyelids that long to retire.” Its certainly not easy listening, but then there is no need to apologise for that.

Given that Romi and Sari are twins, it comes as no surprise to find that their harmonies are completely matched. Sometimes it seems that you are simply listening to one multi-tracked voice. Ghost Bees are strangely enchanting and yet slightly disturbing. The term freak-folk has never found a better place to be used than with Ghost Bees.