If you’ve read our Bestival review posted two days ago, you’ll know that one of our highlights was Lucy Rose. The young singer songwriter played a sublime Bandstand set on Friday night that confirmed that her debut single Middle of the Bed was no one off. Rose has a whole collection of slightly melancholy but delicately valuable acoustic pop songs in her possession.
Here’s one of them. Scar is Lucy’s second single and guests Jack Steadman from Bombay Bicycle Club. It’s available on iTunes on September 19 and will gain a physical release on November 14. Become enchanted as Lucy’s warm honey smooth voice sings of a confused relationship – something inside of her is telling her to leave and yet she wants to be with this person as well. Ah, the dichotomy of love. Wouldn’t it be dull if every singer songwriter just had a normal balanced easy going love life?
With their debut album Creatures of an Hour, out October 10 on Sub Pop, Breaking More Waves favourites Still Corners have just released this new song Into The Trees, for free download. Bizarrely if it wasn’t for lead singer Tessa’s ghostly whispered vocal Into The Trees could easily be mistaken from something from the second album by The Horrors, particularly Sea Within A Sea, complete with psychedelic overtones and the distant characterisation of always holding back, never going full-on for the jugular.
Is it shoegaze? Is it dream-pop? Does a genre name really matter? The only question you need to ask yourself is do you like it? Does it make you feel something? Does it make you want to shut your eyes and drift off to a place better than the one you’re in right now? The very fact that it’s featured on this blog gives you our answers to these questions. Sometimes music just takes you there doesn’t it?
Bestival is the traditional last hurrah of the UK major festival scene's year. It’s also Breaking More Waves absolute favourite and for its eighth year pulled out all the stops to come up with quite possibly its best year ever. Yes Bestival 2011 was an absolute corker. Here’s why.
Tickets
Early bird adult tickets were £150 with normal tickets costing £170
The Site
Set in a wood lined valley and accompanying hills and fields the Bestival site is a creative wonder. From the masses of bunting by the Bollywood tent, the quirky little huts in the Wishing Tree field, the Chinese lanterns that changed colour near the cabaret tent, tree- like sculptural forms with fluorescent tubes for leaves, the swamp shack with its dilapidated shabby chic, the hammocks and lighting in the ambient woods, the abundance of flags everywhere and much more besides, Bestival was a visual treat. Add to this a well thought out site layout that has gradually evolved over the years, with head honcho Rob da Bank and his crew actively listening to punters comments on the Bestival Forum website and the result was not only the best musical line up the event has ever had, but the best site. This was a festival that obviously cared about creating a great atmosphere throughout. There's a shot of part of the festival site at night below.
The Punters
The last few years have seen Bestival becoming a much ‘younger’ festival in terms of its audience and last year there was criticism in some quarters that it had lost its original spirit. This year, possibly because of headliners such as The Cure and Bjork there was a noticeably older crowd in amongst the high hormone youth. This seemed to create the perfect atmosphere – a mix of wild hedonism combined with a more relaxed calm vibe. Add in a sizeable portion of the audience dressing up on Saturday as a rock star, pop star or diva and the result was not just a colourful site but a vividly colourful audience. Wherever you looked, whatever the age there were big smiling faces with everyone seeming perfectly happy to chat to complete strangers whatever their age.
The Weather
Before the festival the remnants of hurricane Irene were predicted to wreak havoc, with storm force winds and heavy rain being predicted, yet the weather gods smiled down on the happy punters and the Thursday and Friday turned out to be blissfully sunny and dry, the only harsh winds and rain came on the Saturday and Sunday nights. This was no repeat of ‘Mudstival’ in 2008 though, with plenty of areas of the site remaining free of the stuff even after the rain.
The Toilets
A mix of standard festival portaloos as well as composting toilets and urinals formed out of guttering fixed to boards. For a festival of this capacity (50,000) the toilets were surprisingly good and emptied regularly. There were the inevitable queues at peak times, but these were never horrendous.
The Food
Bestival catered for a wide range of food tastes and styles from the standard burger bar to the more exotic Ms Marmitelover’s Underground restaurant. Indian, Chinese, Mexican, French, Spanish, Moroccan were all to be found and there was even locally produced fresh Isle of Wight fodder. Then the absolute highlight, after a walk up a very steep hill, the salvation that was the W.I tent with the cheapest tea, cake and quiches on site all served by smiling adorable apron wearing ladies.
The Music
The only criticism of Bestival 2011 is that there was quite simply too much good music. Not only was there too much good music, but the PA systems that the music played through were powerful and clear - something that a number of UK festivals have been unable to achieve this year. From indie to folk to electronica to pop to dubstep to rock ‘n’ roll, all kinds of genres were to be found at Bestival.
The Cure played a fan and festival pleasing marathon two and a half hour 32 song set, which heaped single after single (Love Song, Friday I’m In Love, Boys Don’t Cry, Lovecats, Lullaby, Why Can’t I Be You and more) next to the brooding darkness of the likes of Plainsong, Shake Dog Shake, Disintegration and punk pop classics such as the closing Killing An Arab and 10:15 Saturday Night. The slightly greying black clad wispy haired Robert Smith was clearly enjoying himself and still on the top of his game, sounding as distinctive as he ever has been.
Other older performers also came up trumps with Brian Wilson and his band captivating the crowd mid Friday afternoon – never could the words good vibrations be better used. Likewise the sight of a 20-30,000 fancy dressed-up audience performing the actions of YMCA to an enthusiastic Village People became one of the most bizarre and unexpected highlights of the weekend. Headliner Bjork split the audience with by her own admission a set that wasn’t designed for festivals. Sporting a freakish mix of ginger afro wig, a blue shell shaped headpiece and pencil skirt, her set confused and delighted equally – her voice still powerful and childlike, her new songs sometimes too inaccessible for the majority. Health and safety staff were probably also quaking in their boots with Bjork setting off hand operated fireworks and then later a Chinese lantern released by someone in the audience landed on stage and threatened to turn the whole event into something rather serious. Thankfully staff reacted quickly and a fire extinguisher was set loose.
Of course Bestival isn’t just about the main stage – there were 17 others to enjoy. James Blake’s Big Top set was compelling and full of rich atmosphere, whilst over at the Sailor Jerry stage Alex Winston (streaming below) was found jumping onto the drum riser during her performance of her quirky songs that sounded like alt. pop designed by Kate Bush and Joanna Newsom. Another highlight came from Lucy Roses’s strikingly beautiful acoustic songs on the tiny Bandstand which battled with the bass and beats of Magnetic Man from the main stage and won.
Conclusion
Bestival lived up to its name. Quite simply the best festival we’ve been to this year, and in over 20 years of festival going, possibly ever.
Music blogs are bewildering beast of a collective. Often cited as taste making, sometimes that taste making ability ranges no further than influencing a tiny handful of readers. Anyone who goes to gigs or music festivals with any degree of regularity will know that ‘big on the blogs’ doesn’t necessarily translate to a sizeable audience in person.
However the much blogged Lana Del Rey (we first posted about her in May here) appears to be breaking that rule developing a sizeable audience of if nothing else, curious onlookers, with a recently announced London show selling out in just a few minutes. There’s a growing wave for Del Rey that suggests that almost inevitably she will be touted as one of the ‘next big things’ for the year ahead; a BBC Sound of 2012 listing seems increasingly likely (and on a much smaller scale a Breaking More Waves One To Watch for 2012 place). It's not all down to blogs of course. Like it or not Fearne Cotton of Radio 1 raving about Del Rey gives far more taste making exposure than any blog can.
With forthcoming single Video Games (due October 10) shaping up to be one of our favourite songs of the year, Del Rey has released this video for the other song on the double A-Side. It’s called Blue Jeans. With a hint of Chris Isaak in the instrumentation and Del Rey’s (real name Lizzy Grant) low sultry vocals it’s a fine accompaniment to main course.
There’s already a backlash started amongst music snobs against Del Rey, who don’t like the idea that she's working with a well-known PR company, (the shout of hype can be heard over the hills –even although when we first posted about her there had been no contact from PR companies – our discovery was organic and not through the music industry), is using a top name producer, uses a very stylised ‘Pitchfork love-me’ Super 8-cut-up style for her videos and her father has a dollar or two in his pocket. However whatever package you untie, there’s no denying that under it the music is pretty special.
