Thursday, 3 July 2014

Alice Jemima - Breezeblocks (Video)


Remember Alice Jemima?

When she was just 17 the Devon based singer songwriter began throwing track after track on line and the web / blogs (particularly UK blogs) began to take notice. In 2012 she became one of the 20 most posted about artists by UK Hype Machine listed blogs. A debut self-released EP sold out. By 2013 there was a number of low key festival shows and a Radio 1 session for Rob da Bank. Her cover version of No Diggity added a female sensuality to Chet Faker’s equally sexy male vocal cover and went a bit all-over-the-internet. Babies were probably conceived to it.

Then things went quiet except for a further cover of Raleigh Ritchie that was sneaked out at the start of the year in the middle of the night, coincidentally when Breaking More Waves and Alphabet Bands blogs were halfway through a charity 24 hour Blogathon. Perfect timing. 

But now we hear news that Miss Jemima has been amassing a stockpile of unreleased songs and has some new stablemates, including a certain Emeli Sande and the showstopping Laura Doggett who you may remember from blog posts here and here. Alice is playing a gig in London with her new buddies (excluding Emeli) on the 16th July at the Kings Head Members Club in London, with very limited tickets being available here. You really should be there.

But whilst those new songs continue to mount up, quite possibly in some sort of big song warehouse just outside  Exeter, yesterday Alice whacked up a new home recorded cover version on Soundcloud and today added a video, a collaboration with Anna Baumgart, filmed in monochrome. This time it’s her take on Alt-J’s Breezeblocks and as per usual Alice adds her own very identifiable and delicate stamp all over the song. With light skippy beats and vocals so sweet they’re virtually syrup, after a couple of plays you’ll probably have forgotten about the original (which admittedly is very good) and have the words ‘do you know’ circling around your head all day. Shivers.

Alice Jemima - Breezeblocks (Video)



Queen Of Hearts - Like A Drug


Today we want to alert you to the fact that earlier this week Queen of Hearts just threw a whole album up on iTunes (throwing it up makes it sound like she sicked it up, which she didn't, it's a lot better than a pool of vomit - which isn't much of a compliment, but stay with us on this one...). 

So the release was a bit like 'doing a Beyoncé' only without the same amount of ridiculous hype, as she’s not quite as famous. Ok, she’s nowhere near as famous, but that isn’t the point. The point is if we put Beyoncé and Queen of Hearts in a cell and had to choose just one of them to release to the public at large it would undoubtedly be Queen of Hearts. It might not be the most popular of choices, but we’re pretty sure once everyone had had a chance to listen to Cocoon (the title of Queen of Hearts album) they might thank us after all.

So in summary - Cocoon by Queen of Hearts is way better than a pool of vomit and Beyoncé.

From the album comes this new tune Like A Drug, which sounds perfect for a summer weekend, being a big 'let’s all dance in our swimwear under golden skies with our hands in the air and then go skinnydipping' rave-pop-anthem. Or at least that's what it sounds like to us.

Queen of Hearts - Like A Drug

Wednesday, 2 July 2014

Glastonbury 2014 - Review (Part 3)


“What was your highlight?”

That’s the one question that everyone seems to ask after returning from Glastonbury 2014.

It’s difficult to explain to those who haven’t been that Glastonbury is so much more than a few isolated moments. It really is the sum of its parts that make it, to use a cliché, an 'experience'.

But for those that have asked and for those who haven’t but are interested, here are our 5 Glastonbury highlights, but they're just pieces of a much bigger part of a jigsaw.

1. Dancing in the NYC Downlow. 

Down at the dystopian looking setting that is Block 9 we found the NYC Downlow. On the outside it looks like a dilapidated hotel – the sort of thing that might crop up in a Scooby Doo cartoon. Entrance was only allowed if you sported a moustache (false ones were acceptable and available). Inside you were greeted by dancing drag queens, a dark 70’s styled club environment and lots of disco music. Whilst the masses were watching Metallica we were dancing to Donna Summer. The only gay club where everyone was wearing wellies and a rucksack. Bizarre but more than brilliant.

2. Arcade Fire’s Pyramid Stage performance. 

The Pyramid stage experience is often far from perfect. The crowds, the flags, the lack of engagement with the often physically distant performers can make it a pretty soulless. What makes for good TV doesn't necessarily make for good reality. Yet Arcade Fire’s experimental art rock reached out through its showmanship (patterned and glitter costumes, dancers, papier-mâché heads, ticker tape and dry ice explosions, fireworks) awkwardness (the beginning of their show false started) and the downright bizarre (an airhorn assisted mini DJ set featuring past Glastonbury headliners including Pulp, Jay Z and Oasis) sucked us in. “In a lifetime of near-impossible things that have happened to our band, this is the highlight.” announced Win Butler towards the end of their set. It was certainly one of our highlights as well. By the time they hit closer Wake Up with its fiery ‘woah-oh’ chorus you would have had to have been dead to not feel your heart flutter a little.

3. Discovering a bar that sold 6.2% ciders (perry and handmade ‘Firestarter’) at £4 a pint. 

Compare this with a festival like Field Day selling cans of Miller at £5. We know which we thought was better value.

4. Confirming that we were 'right'.

Seeing a band that we’ve supported since the very start on the blog, a band that have become our favourite of the last 2 years, play a huge tent with thousands of people bellowing along to the words, then looking round and realising that there are people that love this band’s music as much as we do. Hearing the lead singer of this band sing a little snippet of Dolly Parton’s Jolene. That band was of course, Chvrches.

5. Jungle dropping the cool, smiling like idiots and loving it.

Jungle received the equivalent of a standing ovation for Busy Earnin’ (except people were already standing) and they appeared utterly overwhelmed. It was a Glastonbury moment, if only because in that moment we realised that Jungle is no longer just something that is big on the internet. The album promises to be the sound of our summer.

Tuesday, 1 July 2014

Glastonbury 2014 - Review (Part 2)


New music is Breaking More Waves main raison d’etre so it makes sense that despite all the big names at Glastonbury for us to spend a fair proportion of our time watching new bands playing to much smaller audiences. The usual cliché that’s rolled out by stages putting on new artists is that it’s a chance to see tomorrow’s headliners before they get big, but the reality is that most new artists will never get anywhere near playing the larger stages. However, it’s the fresh, the new, the original that often excites us more than acts we’ve already seen numerous times, irrespective of if they are stars in the making or not.

Here are 10 new bands and artists that we witnessed at Glastonbury 2014.

Izzy Bizu

Runner up in this year’s Glastonbury Emerging Talent Competition and having already supported Sam Smith on tour, Izzy Bizu came marked with good credentials and she delivered on those.  A pleasantly airy but soulful vocal with hints of jazz and pop; Izzy was natural and confident without ever appearing arrogant. Hear White Tiger below and then try and claw the song out of your head – pretty much an impossibility.



New York Brass Band

They’re new. They come from Yorkshire. They’re a brass band. They covered classic pop from Eurythmics to Daft Punk to Beyonce and ended up in the audience with a rootin and tootin version of A-Ha. They do weddings as well as festivals. It almost makes us want to get married.

Kagoule

Storming alt-rock three piece with an early 90’s grunge sound complete with the most intense retina burning white backdrop lighting we witness all weekend (see picture below) Nothing original, but powerful nonetheless.



Gibson Bull

Another one of this year’s Glastonbury Emerging Talent finalists, nominated for the competition’s long list by this very blog. Introduced on the Rabbit Hole Stage as being ‘personally selected by Michael Eavis’ Gibson Bull and his band's organic sound and deft songwriting probably wasn’t quite right for an audience who were gearing up for an evening of partying, but for those prepared to listen it was well crafted stuff.

Låpsley

There’s no doubt that Låpsley’s Station was one of our favourite late discoveries of 2013 and sibling tune Painter’s soft electronic coating was equally as affecting. However, whilst Holly Lapsley Fletcher has an undeniable talent, her experimental pitch shifted vocals and gooey ambience just didn’t work in the live context at Glastonbury; Holly appeared a little over nervous, there appeared to be some technical problems during Station and it felt like a few more live shows under her belt would have helped before she had to play a higher profile gig like this was.

Aquilo

Sitting in the same chilled zone as Låpsley, Lake District lads Aquilo had no festival shakes. This was slick, soulful, purring, piano and electronic loveliness. If you love London Grammar and James Blake then Aquilo will be your next favourite thing, or your money back. But of course you probably already know that, when you read about them here first.

Zoe Phillips

As the first rain of the weekend began to fall, we took the sensible option and firmly located ourselves under cover to catch Zoe Phillips, a piano based singer songwriter who played a set of easy on the ear ballads and soothing well-mannered pop to a decent sized crowd to start off of the Thursday afternoon of the festival in the Rabbit Hole stage. (Pictured below).



Lyza Jane

Recently introduced to readers of this blog here, Lyza Jane impressed with her foxily atmospheric electronic trip-pop. Somerset’s answer to Banks? Quite possibly. (Pictured below).



Gallery Circus

Two twin brothers. Rocky blues guitar. Drums hit hard. Vocal histrionics. Think The Darkness meets Royal Blood. They played with their balls metaphorically out. Fascinating if not entirely loveable.

Violet Skies

Introduced by Jamie Cullum, Violet Skies (pictured top) has expressive hands and wiggly hips. These are good things in pop. Then there’s her tunes which feature operatic and humble vocals, crisp electronic production, throbbing bass and hushed piano. All of these things are reasons why we catch her live for the second time in a week.