The back story to Phoenix's Kailee Morgue and her music is that she tweeted a video clip of her singing a demo of her song Medusa back in January with the words “I apologize for my voice cracking and the unflattering angles but here's something I'm working on,” then a few months later she had been signed by Republic records, and the tweet had been retweeted over 45,000 times by October.
It’s impressive statistics, however they were achieved, but let’s all remember that there is often a massive disconnect between online numbers and the real world; I’ve been to see bands that have had millions of plays on Spotify playing to rooms of less than 50 people and vice versa I’ve seen artists that appear to have relatively small on-line statistics play to packed houses. Just because someone takes a second to favourite something on line doesn't mean they'll come to your show or invest any money into supporting you as an artist buy buying your products. There's more to it than that.
However, what matters as far as this blog is concerned is simply this; does the music do it for me? Irrespective of profile. And with this one, the answer is a resounding YES! Medusa is such a pretty electronic pop song that works because of some very straightforward things.
First its simplicity in its lilting dreamy construction; there’s nothing more than what needs to be there – it doesn’t need any extra polish or make up to make it sound just right. Second there’s the hooky chorus; “She looked right through me and I turned to stone,” will soon be bouncing around the inside of your brain. Guaranteed. Then third it’s Kailee’s highly palatable vocal delivery on the song – she has one of those girl-next-door voices that’s just really easy on the ears.
The question now is will Kailee be a one song wonder or something more? The fact that she’s already been signed to a label suggests that somebody thinks she can deliver. Let’s watch this space.
Kailee Morgue - Medusa