Saturday, 18 April 2015
We’ve said it before, but Coasts’ Modern Love is a bit of a BANGER. The good news is that you will soon be able to get a bit of that in your life when it’s finally released for your retail pleasure on 27th April.
To celebrate the fact, the band has enlisted RAC to remix the track. Coming soon remixes by the AA and Green Flag perhaps? Apologies to anyone who has no idea what we’re talking about, hopefully this will explain (here). For those expecting the banger-a-thon to continue, you might be a little disappointed; but then could Modern Love get much bigger than the original? We doubt it. Instead you get a slice of ebullient dance pop served up complete with some cut up ‘oh-oh-oh’ vocal samples similar to something you might hear on a Chvrches or Purity Ring record – and that’s perfectly agreeable with us.
In addition to their London Koko show on June 20th the band has just announced a new tour. All the dates are in cities or towns by rivers or coasts. You’ll find them in Sunderland, Hull, Liverpool, Aberystwyth, Cardiff, Ramsgate and Southend, full details on this link.
Coasts - Modern Love (RAC Remix)
Friday, 17 April 2015
In the live setting Skinny Lister is probably the most fun you can have with your clothes on, dancing to their rip roaring adrenalin (and rum) fuelled tunes that romp gleefully round the room like a drunken sailor. But with new track What Can I Say? the group offer something a little more tender. With Lorna Thomas taking on lead vocal duties, What Can I Say? is a gentle contemplative acoustic ditty accompanied by a video that takes a simple concept, before adding a sweet and regretful ending.
What Can I Say? is taken from the forthcoming album Down On Deptford Broadway, set for release on 20th April 2015 via Xtra Mile Recordings.
Skinny Lister - What Can I Say (Video)
Every time we listen to To Be Young by Kassassin Street we become more convinced of its brilliance. Whether it’s the driving Motorik beat, propelling the song forward towards relentless oblivion, the slowly spreading musical uplift or just that line about “we should have been someone, oh to be young, to be young,” something that probably 90% of the population over 25 could relate to, it hits home deeper every time we hear it.
So now here’s another opportunity for you to latch on to the band, with their slickest video to date. A dark and disturbing tale of violence and danger, it fits perfectly, particularly the opening scenes of roadways and travel, which hark back to those propulsive trance inducing ideas of the likes of Kraftwerk on Autobahn.
If you're in London tonight and looking for something to do, Kassassin Street play live at Bloomsbury Bowling Lanes for a special Remix Show 15th Anniversary party for XFM. Plenty of summer festivals are on the horizon as well.
Kassassin Street - To Be Young (Video)
Thursday, 16 April 2015
This isn’t really a post about Honeyblood, it’s a post about preconceived ideas and judgements and how we think the internet has made us all a little too quick to make them, plus some stuff on image and sexuality in pop music. If you don’t like these random waffling unedited stream of consciousness posts we occasionally write, just skip to the bottom paragraph and read that and press play. OK?
“Normally I’d say @yumhoneyblood are a cool band. Tonight they (and the venue) was hot.” That was something that we tweeted following a Honeyblood gig last year. The resultant tweet was met with a response of “gross” from one person that read the tweet. When we asked why we were told: “Seems a bit creepy and pervy to me,” and “Male bloggers shouldn’t be focussing on female artists’ sexiness of appearance over their music.”
Here lies 1 of the problems with Twitter and the internet generally. There are too many people making judgements about people’s thoughts based on a few words, without trying to have a conversation to establish and clarify if their assumptions about the words are correct.
Admittedly in hindsight our words were poorly chosen – but the word ‘hot’ is one that is used in an abstract as well as concrete sense and can mean very different things. In this case it was related to the heat of the venue and the sh*t hot performance of the band. Unfortunately the aggrieved person on Twitter didn’t agree, suggesting that we wouldn’t have eluded to the band being ‘hot’ if we were talking about Royal Blood (he was right, but only because we don’t like Royal Blood – but he was wrong about other male acts we do like the music of).
So, because we felt we were being judged incorrectly, we asked why he thought this. He clarified that his judgement was based on our Twitter feed which in his words “consistently seems to leer on and make weird comments about female artists”. There’s no doubt that here at Breaking More Waves we do write about ‘sexy pop’ and make comments on artists appearance – but always with a context (and also importantly we write about men as well as women when talking about such things). This is because pop music is a visual medium as much as it is a musical one. It’s why Lady Gaga, David Bowie, FKA Twigs and Mumford & Sons appear the way they do. They’re giving definition of themselves and the artistic space they occupy by their visual image as much as their musical one. Otherwise why have promo pictures? Why have videos? If music as an art form was just about sound these things wouldn’t be required.
We believe that sometimes it’s right to talk about that image and appearance – but we try to keep a context. For example we once wrote about George Ezra’s lips because we were making a point that no music writers mentioned his large lips as they did when Lana Del Rey first appeared. Why was that? We’ll leave that for you to ponder over.
There’s also a lot of pop music that deals with sex. Many many pop songs are about sex or allude to sex in the lyrics. Therefore once again we think that this is perfectly acceptable to write about these things, with that important word again – context. So for example when you see us tweet “Liking freckled musicians, cooking bolognaise by accident + pop stars butt cheeks,” and linking to this article here, please don’t make judgements just on the tweet, but read the article and see why we tweeted that. (It was actually an article about a theory that all sorts of other factors influence decisions on if we as human beings press play on a piece of music or not – and to exaggerate the point we used the most ridiculous factors such as the initial of the artists name, her freckles, pretentious PR statements to make that point – the article was an attempt to build some humour into a relatively serious piece – maybe it didn’t quite work, but hey, at least we had a go at trying to tackle the subject and make people giggle at the same time.)
So here’s the bottom line. We live in a world where not everything is always black and white. There’s a lot of grey. It’s why sometimes we think it’s OK to write about pop music, image, appearance and sex and sometimes it’s not. Context is everything. Interpretation is complex.
So here’s the new Honeyblood song. It's called The Black Cloud. It’s pretty
Honeyblood - The Black Cloud