Tuesday, 17 May 2022
Wednesday, 27 April 2022
Today’s new band claim to have a songwriting style that takes inspiration from Carly-Rae Jepsen and Chvrches. Yet on debut single Alice they sound a lot like early The 1975 circa 2013. Of course, it’s dangerous to start making comparisons when a band only has one single out; take Pale Waves for example who I threw exactly the same comparison at on their first official release, but now I’d compare with Avril Lavigne. We’ll all need a few more songs to make a better judgement, but this is a new music blog so sometimes super-early commitment is required.
The band in question is called Supersaurus, and a quick Google will tell you that they are a top UK wedding and party band available for hire, who are renowned for filling dance floors. Which just shows that you need to be careful with the internet. For that Supersaurus is a totally different band of the same name. Although maybe this lot could also soon be renowned for filling dance floors at your local indie disco perhaps?
So this Supersaurus, the one you need to focus on, is made up of Benji, Tay, Lauren and Becca. Their aforementioned debut single was released earlier this month. It’s a jubilant sounding piece of guitar pop, although if like THAT famous song you're asking who the f*ck is Alice, the answer is not exactly clear. One of the first lines is: “Hey Alice, I think I could have loved you, but you’re not real, no you were never real.” Elsewhere there are lines about: “It was all in my mind, all the beautiful things, that are lost in another timeline.” Is Alice just someone that Benji saw on line? Perhaps. Maybe she was just a dream? However, what is clear is that Alice (the song) swooshes with a guitar laden melody that would sound great on the radio. It also contains some great 'Hey' shouts, which anyone who has studied the Rules of Pop* will know is always encouraged.
Warning: Earworm alert.
*Any version of the Rules of Pop - it's in Chapter 4 just after the section on singing La La La
Supersaurus - Alice (Video)
Friday, 22 April 2022
Orchid’s Insta bio describes her as a Goth Pussycat Doll. Her Twitter says she’s a Worldwide Quirky Girly. I’m going to add a far less witty three-word slogan and just describe her as Really Quite Good.
You’ll probably agree with me on the Really Quite Good part when you hear her track Like Thunder which is taken from Orchid’s (aka Orchideh Vishkaiy) EP of the same name and it’s been pricking up ears over the last few weeks. It’s a minimalist piece of left of centre pop that crackles with the same sort of perfectly controlled yet still deviant experimentation that the first FKA Twigs album possessed. The accompanying visual also shows that it’s possible to shoot a video in a swimming pool without resorting to tackiness (anyone remember Sabrina’s Boys Boys Boys? Let’s not go there, OK?)
One listen to the whole of the EP, released a couple of weeks ago, will confirm two simple facts. First, Orchid isn’t a one trick pony. Second, she’s clearly in love with modern contemporary pop. Doe Eyes is the part of the Venn diagram where UK garage intersects with Britney Spears. Then there’s Later, which is a tempo shifting jam that hints at Ariana Grande and punches pretty hard with a radio friendly chorus.
Of course, one of the things that sets the big names in pop apart is that they can do it live with venom and charisma. It’s early days for Orchid on that front and as yet there don’t seem to be any gigs announced. However, a little bit of internet searching reveals an artist of the same name supporting Glassio at The Old Blue Last in August. Could that be her? Quite possibly.
For now, let’s live with the recordings. Really quite good probably wasn’t up to scratch as a description, was it? Maybe instead let’s amend that to Quality New Pop-Star.
Thursday, 14 April 2022
Scene Queen, born Hannah Collins in Ohio USA, is the latest addition to a crop of artists who are taking the sounds of RAWK, primarily the sound of nu-metal and industrial before mashing it up with hip-hop beats, nursery rhyme hooks and venomous spoken-word lyrics that go straight for the jugular of crap men.
“Pink rover, pink rover, please send the coward over. And if that bastard whistles, put a knife up to his boner,” Hannah narrates on Pink Rover as she brutally lets men know what she’s going to do about inappropriate harassment if they dare try it. In its 2 minutes of existence it rages hard. This isn’t punk rock, but pink rock as exemplified on three of the four songs she has released so far; Pink Bubblegum, Pretty in Pink (not a cover of the Psychedelic Furs song) and the aforementioned Pink Rover.
Scene Queen brands her style of music as Bimbocore and if you like Ashnikko, Poppy and Poutyface then Hannah is going to be right down your kick-ass street.
Scene Queen releases her debut EP on April 29th. If you are in the UK watch out for her debut UK show at Great Escape festival this May.
Scene Queen - Pink Rover