Max’s original was a gentle electronic comedown, as if the doors were closing and everyone was going home. Yet it seems that someone had left a grand piano in the room and Poppy was there hiding, waiting for her chance to sit in front of the keys and coat the track in subtle pitter-patter rhythms as if it was raining outside, the small splashes in the forming puddles creating something bigger. I’ve always thought that if you are going to do a remix you should very much leave your mark on the music – the new track should be identifiably the work of the remixer - and for anyone familiar with Poppy’s work you’ll hear her signature all over this lovely piece.
Max Cooper - Lovesong (Poppy Ackroyd Remix)
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