Wednesday, 1 October 2008

Little Boots - New Waves @ Breaking More Waves

As the year starts to close in various bloggers, journalists and commentators will be pondering on their albums of the year lists, and also their ‘One’s to watch in 2009’ lists. Readers of my old Myspace blog or even my old paper fanzine will know that I am also partial to these lists. Last year I was reasonably successful in predicting Glasvegas, The Ting Tings, Adele, Duffy, and Vampire Weekend being amongst those who would do well this year.

My 2009 list may be a bit more of a struggle, but one that is bound to be on there somewhere is electro cat Little Boots. Victoria Hesketh, former lead vocalist of indie synth rockers Dead Disco has been all over the blogosphere, but with some justification. From the Giorgio Moroder disco pulse of Stuck On Repeat to the Hot Chip bounce of Meddle, this lady has the songs, the hooks and the slightly geeky but sexy style to rise to the top. If you’ve used You Tube for any short length of time you will have no doubt come across some horrendous bedroom cover versions, but Little Boots has smothered those to sleep with some sensational covers of her own. Here are just one examples, as she uses a tenorion to cover Hot Chips Ready For The Floor. Then Little Boots playing one of her own songs with a variety of electronic gadgets on her own song Meddle.




Monday, 29 September 2008

Love Albert Road Day @ Albert Road, Southsea, Portsmouth


Over the last two decades, the UK town and city centre has become an identikit place, formed from corporate culture that is sucking away any true diversity and choice you have left.

Back in 2002 a report entitled Ghost Town Britain revealed some staggering facts. In the UK between 1997 and 2002 specialist stores like butchers, bakers and fishmongers shut at the rate of 50 per week. The country also lost one third of its bank-branch network – leaving nearly 1000 communities across the UK with no access to a local bank. Twenty non chain pubs were closing every month.

And what was causing and replacing these closures ? Large corporate identical chain stores, with shop fronts of steel and glass, aggressively positioning themselves in our town centres, offering the attractive illusion of more choice, a fantasy shopping experience. And that’s all it is. An illusion. The appearance of another chain store in your town is the death of choice. All you can do now is to buy the same things that everyone else is buying.

And this is why the remainder of our independent retailers, pubs and restaurants are so important. If you value true independence, if you value choice and if you value towns that have a sense of identity and soul, then the status of our remaining independents must be maintained.

This is what Love Albert Road Day is about. In my hometown of Portsmouth a group of independent shopkeepers grouped together and came up with the idea of promoting their street and giving something back to the local community. Albert Road has largely managed to avoid the influx of large corporations, even if a small Tesco supermarket exists in one particular unit, but the retailers struggle against the nearby chain stores, even although many of them offer unique and better value products. So Love Albert Road day was born. With one mile of the road shut off for the day and glorious sunshine beaming down, an estimated 40,000 people came out for a big community street party. Frankly, if Portsmouth’s chain store centre the Cascades had organised a similar event, I can’t imagine that people would have been so willing to support it. There was a real feeling of celebration of the more alternative shopping centre of Portsmouth.

Musicians and DJ’s performed everywhere; on roofs of buildings, in bars, on the street and on two main stages, and whilst enjoying the sun, the shops, the atmosphere and other entertainment I also managed to catch a couple of sets. The B Of The Bang played on the back of a lorry converted into a stage. I wrote here about this bands eclectic sets and great dark songs, but today their magic is behind a cloud. Unfortunately their set is shockingly bad, marred by a huge number of technical difficulties including out of tune guitars, random unwanted rave beats firing from their keyboards and a terrible sound mix that does the band no favours. “If you want professionalism, there’s another stage 200 yards down the road,” announces lead singer Chris Whitear.

A few hours later however I catch them playing another set at The Wedgewood Rooms and it is a totally different tale. This time their music sounds, huge, wide screen, epic and gut wrenchingly good, guitars howling with real aggression, the presence of two drummers power pounding in perfect symmetry adding depth and beefiness with songs like Lung and Alaska being given the sound treatment they deserve. It’s not all rocking stadium sized songs though; opening song Last Day On Earth provides a possible first for the venue, with the band armed with their skittering and folkish banjos and ukuleles on the dance floor, playing without microphones before marching on stage to amp up the sound and finish the song. A risky but great way to start a set.

Before The B of the Bang, another Portsmouth based band also impress massively.

Holdfast display a very different side to the normal dirty sounding rock they play, with female fronted vocals from lead singer Roberta laying somewhere between Siouxsie Sioux and P.J Harvey over a stripped down two acoustic guitar acoustic arrangement. The lack of noise brings focus to the songs which seem to be strangely more adventurous, rewarding and occasionally ethereal than their brasher fully amped up brothers and sisters. Probably the best two bands in Portsmouth right now on the same bill.

Not everything at Love Albert Road day is however quite so serious musically. A set by The Bog Rolling Stones is funny, and the tunes are spot on as far as tribute bands go. Watched by a huge crowd, there are people hanging out of windows and sitting on the tiles to catch a view, including one brave soul who performs a series of backward flips on a roof to great cheers from the crowd below. “This festival is the only one you can go home with an antique,” quips ’Mick’ before adding “and I don’t mean you Keith.” Later he dedicates a song to the curry houses of Albert Road, thanking them for saving the drunk people of Portsmouth. And of course, even although they don’t look anything like the real thing, they do sound very good indeed and wheel out all the hits to a street of smiling faces against a backdrop of people.

Love Albert Road day was a huge success in its delivery and attendance. Let’s just hope that it reaps long term rewards for its traders, for without them Portsmouth will have another layer of its soul stripped away.

Tuesday, 23 September 2008

Howard Jones @ London Indigo O2


The name Howard Jones may not be familiar to younger readers of this blog, except for my article about a certain DJ Hojo Hits a while ago, and for older readers probably brings back memories of bad eighties haircuts, a mime artist called Jed and synth pop. But for Breaking More Waves, the music of Howard Jones has probably had more influence on my life than any other. Whereas those with so called musical credibility may claim that Dylan, The Beatles, Jeff Buckley or Nirvana influenced their lives, I am happy to announce that I really don’t care about credibility and am happy to stand alone on this one. Yes, the man who sang in his first ever hit the line “Throw off those mental chains,” probably made me do exactly that. Jones has made me think more about my philosophy to life than any other artist. From his lyrics of “Challenging preconceived ideas,” to “Thoughts and actions, words you've spoken write the scripts of life and open up the possibilities,” his themes of change through positive action, and that of taking risks and taking responsibility for my own individual world to influence the world at large struck a deep chord. “Changes in the heart of just one, will affect entire nations,” Jones sang, and this ripple turning to a wave effect is something that I have absolute belief in. Jones is not just a singer but a mini philosopher, albeit one with spiky blonde hair and a lot of keyboards.

So from those early hits of the eighties Jones has continued to write and record to the present day, releasing albums on his own independent label dtox records. He also still plays numerous acoustic and electric shows.

Now, after twenty five years in the music industry, Jones has decided to celebrate, and has put on a special 25th anniversary concert at the ultra modern, superbly functional Indigo 02 in the Millenium Dome, London.

The gig clocks in at around two and a half hours with over twenty five songs in two sets. And it starts with this video....




Then Jones takes to the stage at the piano, accompanied by Robin Boult on acoustic guitar, with a pitch perfect string section being added as the show continues. The sound is excellent throughout, every word Jones sings having clarity; one of the advantages of a state of the art purpose built music venue. Jones shows his conviction to keep moving forward by playing several new songs including Ordinary Heroes which celebrates ordinary people doing incredible things in their everyday lives and Straight Ahead, a song which lyrically talks about having hope even through bad times. The second half, after a short interval, is fully electric with Howard blasting out the hits such as What Is Love, Pearl In The Shell, New Song and Things Can Only Get Better on his synth, joined by a plethora of musicians including backing vocalists, live drums, bass, brass and guitars not too mention a crowd who are happy to revel and dance in a nostalgic trip back to the songs of their youth.

A variety of special guests are also introduced; Nick Heyward from Haircut 100 joins Jones after just 2 songs and announces him as “The Neil Diamond of synth pop,” before playing his hit Fantastic Day with him and later there is a huge round of applause as a now very bald Nik Kershaw arrives on stage to perform Wouldn’t It Be Good. For hardcore Jones fans probably the biggest and most appreciated surprise is when Duncan Sheik appears to play, the first time they have ever performed live together in the UK. Here is Duncan on guitar and Howard on piano for the ballad Someone You Need.




At 53 years of age, Howard Jones’ singing voice is actually better now than it was 25 years ago, stronger and more resonant; and of course he is an incredibly accomplished keyboard player. But despite the spiky blonde hair, catchy synth pop songs and elements of nostalgia to the gig, what comes across most is that through his relaxed persona and friendly way that he interacts with the crowd and his band, Howard Jones is genuinely one of the nice guys.


Friday, 19 September 2008

Cassie and the Cassettes - New Waves @ Breaking More Waves


Ah cassettes. Remember those ? They were big in the eighties. Like sweatbands, big hair and men wearing too much make up. But unlike the aforementioned, cassettes were actually really useful. You could record a compilation on one and decide on the order of the songs as you went. No deciding play lists in advance before burning. And rather like the object they take their name from, Cassie and the Cassettes are really useful; especially if you are a fan of Belle and Sebastian, hairclips, cute cardigan or spec wearing girls and boys and all things twee.

A young 5 piece fronted by the sweetly summery indie chanteuse Cassie Layton, they have only played a smattering of gigs including dates at this years Great Escape Festival in Brighton and at the Fistful of Fandango night at 229 in London. Despite their just out of school freshness, Cassie and the Cassettes have tip toe jazzy harmonies that will make you want to jig your shoulders and be nice to everyone. This is pure unrefined perfect pop.

Half of the band used to be in a terribly named funk covers outfit called The Funkbomb Detonators, but there are no such hideous elements on songs such as I Don’t Like You and Two Of A Kind, demo versions of which can both be found on the bands Myspace page. With no record deal as yet, things are growing slowly for the Cassettes. Despite their cute quietness their piano and guitar strumming chirpiness could make enough noise to find a strong fan base.