Tuesday, 21 March 2017
Glastonbury Emerging Talent Competition 2017 Longlist Announced
Once again Glastonbury Festival asked me to act as one of the judges for the first round of their Emerging Talent Competition as I have done every year since 2011. The judging panel consists of music writers from across the UK and their job is to whittle the thousands of entries down to a manageable long list of artists who are put forward to a further round of judging which is carried out by a different panel, including the festival organisers.
The long list always throws up a lot of good quality and today that list has been announced. You can find the artists the judges have selected by clicking through to the website here.
8 of these acts will make it onto the shortlist and will be asked to compete in a live final in April, the winning artist or band getting a slot on a main stage at the festival and £5,000 from PRS to help develop their music and take it to the next level. Two runners-up will also each be awarded a £2,500 PRS Foundation Talent Development prize. For the last few years all 8 finalists have been invited to play a slot at the festival.
Previous finalists have included Izzy Bizu, Declan McKenna, Stornoway, The Subways and the 2016 winners She Drew The Gun. Looking at previous longlists acts like Marika Hackman, Circa Waves, Slaves and Fickle Friends have all made the final 120 whilst unsigned, even though they didn’t get to the last 8.
The three acts I chose for the longlist this year were Cardiff based brassy and funky hip-hop collective Afro Cluster (who actually made the longlist in 2013 and have already played the BBC Introducing Stage at the Festival, but they’re so good that it would be a crime not to give them another chance based on their entry submission this year), the idiosyncratic Irish pop duo Æ MAK and Manchester indie band AFFAIRS. Take a listen to all three below. I'm also really pleased to see quite a few unsigned acts that I've written about on the blog make their way through to the longlist including acts local to me such as Temples of Youth and Minque as well as ones further afield such as Bokito, Paradisia and Joy Crookes.
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